Alma Tadema's Oil Paintings
	Alma Tadema Museum 8 January 1836 – 25 June 1912. Most renowned painters.
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Here are all the paintings of Antoine Wiertz 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
73452		Antoine Wiertz s	painting created in 1854 cyf
97946		Autoportrait a lage de 18 ans	oil on canvas Dimensions 81.3 x 62.5 cm cyf
90502		Linhumation precipitee	1854(1854) Medium oil on canvas Dimensions 160 x 235 cm (63 x 92.5 in) cyf
71732		Reader of Novels	Date 1853 125 x 157 cm
82226		Rosine at her Dressing Table	Medium Oil on canvas Dimensions 156 x 98 cm (61.4 x 38.6 in) cjr
94270		self portrait by Antoine Wiertz	1860 cjr
22314		The Beautiful Rosine (mk19)	1847 Oil on canvas,140 x 110 cm Musee Wiertz,Brussels
22825		The Lovely Rosine (mk22)	(Nude with Skeleton),1843 Oil on canvas,140 x 110 cm Brussels,Musees Royaux des Beaux-Arts de Belgique
22313		The Novel Reader (mk19)	1853 Oil on canvas,125 x 155 cm Musee Wiertz,Brussels
89996		The Premature Burial	1854(1854) Medium oil on canvas cjr
92457		The Reader of Novels	Date 1853(1853) Medium oil on canvas Dimensions 125 X 157 cm (49.2 X 61.8 in) TTD
91826		The Suicide	1854(1854) Medium oil on canvas cjr
94271		The Young Sorceress	oil on canvas 1857 cjr
44012		Two Young Girls or the Beautiful Rosine	1847 Oil on canvas, 140 x 100 cm

Antoine Wiertz

Belgian Painter, 1806-1865 Belgian painter and sculptor. He was from very humble origins, but his talent for drawing was detected at an early age. He was sent to the Antwerp Academie, where he attended classes given by W. J. Herreyns (1743-1827) and Mathieu Ignace Van Br?e. During a stay in Paris from 1829 to 1832 he came into contact with the Romantic painters, in particular Th?odore G?ricault, who fostered his admiration for Rubens. In 1832 he won the Belgian Prix de Rome and in 1834 left for Italy where the works of Raphael and, above all, Michelangelo made an overwhelming impression on him. In Rome he abandoned the landscapes and scenes from Roman life, for which he showed a certain talent, and embarked on a much more ambitious work, the Greeks and the Trojans Contesting the Body of Patroclus (1835; Brussels, Mus. Wiertz.). The painting proved the turning-point in Wiertz's career. Its frenzied composition and violently contorted figures excited considerable interest in Rome.

All the Alma Tadema's Oil Paintings

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